There should be no classifications that differentiate the authors for the way they use to express themselves. Rather we should be guided by the records that we produce, by the feelings and thoughts expressed by the nightmares they create in some cases ... An author of terror should be this, is his half-literature, music or movies. Guy de Maupassant, Jerry Goldsmith, Dario Argento, James Whale, Edgar Allan Poe HP Lovercraf, Allan Moore and Hideshi Hino, all belong to that tradition of storytellers of darkness, of searching for the dark, shadow hunters, those to which we go when we prove our childhood fears are still alive in the bottom of our hearts, whether they do so through a comic book or a movie. Today we'll talk about an artist who expresses through the sleeve, and whose tales of terror shown may be equal to the glorious stage Swamp Thing scripted by Alan Moore, one of the highest international comics. Hino began his career convinced he could become a film director, influenced by the film Seppuru (1962) by Masaki Kobayashi . Subsequently introduced into the world of manga made influenced by the stories of Ray Bradbury in The Illustrated Man one of his legendary, no Zoroku Kibya (The strange disease Zoroku) the story was published in a children's magazine in 1969 and had all sorts of lurid details the development of a disease that caused a series of nasty rashes. The manga was a great success and career Hino, who became one of the essential guide for horror manga. 
Murderers deflected, deformed monsters and decapitated bodies are natural elements in the chilling tales of Hino, full of autobiographical details. In one of his masterpieces, Panorama Infernal , Hino plague the story of childhood memories. Born in China to Japanese parents, had to endure discrimination against the Japanese after the Second World War and in fact his family had to flee before being lynched by their neighbors, which is reflected in perhaps his masterpiece. Another example: an inflammation of the intestine served the author of raw material for which is possibly his most sick (and that's a lot of sickness), The Red Snake. The author knows how to move these times of illness, prior to the death and terror in his biography to get a story full of visual horror, grotesque and scatological. In other stories Hino is more compassionate towards her and cursed creatures, but always expected a final agonizing stormy use them against the ravages of society and the marginalization of difference, so it is as interesting as works Man Cadaver, El Niño Gusano or El Hijo del Diablo, works full of tenderness toward the monstrous. The author has written some of the television adaptations of his works, and has come to address a couple of gore films in the series Guinea Pig, realism of the bloody scenes was such that ran the urban legend that it was snuff movies, which brought the odd little problem with Hino. In any case, the means to understand is to read their sleeves Hino sick. Of course, refrain those with stomach problems ...
0 comments:
Post a Comment